Availability: Available
TASCAM has a long history of high-quality digital mixers, culminating with the legendary DM-4800, a workhorse mixer that set a new standard. With TASCAM Sonicview, TASCAM has created an entirely new line of digital mixing consoles that incorporate the latest technology and make it easy to see and control all of the parameters you want, when you want, with completely customizable touch screens and user-definable buttons, along with motorized faders and intuitive control software.
TASCAM Sonicview mixing consoles integrate beautifully with the rest of your system, thanks to built-in Dante networking, a 32-bit/96 kHz multi-channel USB audio interface, and plenty of I/O. No-compromise audio quality, including 54-bit float-point FPGA mixing, combines with ample signal processing, an expansion slot for additional connectivity, and wireless remote control to make TASCAM Sonicview mixers a next-generation choice for touring, installed sound, recording studios, and broadcasting.
The TASCAM Sonicview 16 offers motorized channel faders in two banks of eight, plus a motorized stereo fader for the main bus. Above each bank of channel faders is a color touch panel that allows you to view entire mixer channels, or get down to details, controlling each parameter with your fingertip.
Truly the next generation in mixer user interfaces, the powerful intuitive TASCAM Visual Interactive Ergonomic Workflow (VIEW) system lets you quickly and easily configure the TASCAM Sonicview 16's two touch screens.
Thanks to the VIEW user interface, there are three different ways to view your settings, and each touch screen can be configured independently, so you can monitor and control any combination of settings you want, in whichever screens you want, whenever you want. For instance, you could monitor levels for eight channels of vocals on screen 1, while tweaking the parametric EQ on a drum submix on screen 2.
Channel Strip View lets you monitor and control eight adjacent channels, and view them as virtual channel strips like an analog mixer layout.
Module View lets you monitor and control any two sets of parameters simultaneously for one single channel.
Individual View lets you monitor and control a custom selection of functions for any channel or group of channels.
TASCAM Sonicview delivers the finest audio performance in its class, thanks to a 54-bit float-point FPGA mixing engine; continuous, high-definition 32-bit/96 kHz sampling; and 32-bit analog-to-digital converters. The mixing engine's float-point processing makes it possible to flexibly change levels without compromising resolution and FPGA mixing engine make it possible to ensures ultra-low latency, even in analog-to-analog connections. The result is no-compromises performance, including with Dante networks and in-line monitoring systems.
Click for more on FPGA mixing engine, 54-bit float-point processing and 96kHz processing
The TASCAM Sonicview 16 offers 16 channels with XLR mic/line inputs or 8 channels with both XLR mic inputs and balanced TRS line inputs. You also get TRS insert points on two channels, two stereo pairs of RCA aux inputs, and an XLR input for a talkback mic.
There's much more to TASCAM Sonicview than meets the eye. Internally, TASCAM Sonicview mixers have a generous 40 mono channels, 2 stereo and 4 stereo FX return channels channels so you can fly in backing tracks to make a small praise band sound huge, accommodate additional physical audio inputs via the expansion slots for larger ensembles, manage sources from every part of a venue via the Dante network, and mix dozens of DAW tracks. Eight DCAs enable you to easily control groups of channels. The programmable layer keys select which custom combination of channels and output buses are controlled by the motorized faders.
Each input channel can use any or all of 11 processing functions, which can be independently set:
Delay (Input/Pre-fader) | Phase | Digital Trim | High-pass Filter |
Gate/Expander/De-esser | 4-band Parametric EQ | Compressor/Ducker | Solo |
Mix 1-22 Send/Pan (Pre/Post) | FX 1-4 Send/Pan (Pre/Post) | Fader/Pan/Mute to L/R |
Each TASCAM Sonicview microphone input feeds a TASCAM Class 1 HDIA (High Definition Instrumentation Architecture) preamp—the finest mic preamp we've ever made. Thanks to an instrumentation amplifier with extremely good noise characteristics in the first stage, Class 1 HDIA microphone preamps exhibit excellent EIN, signal-to-noise ratio, distortion ratio, and frequency response. TASCAM Sonicview ultra definition mic preamps will pick up the slightest nuance from rosin on a violin bow to the subtle dynamic changes of a voice or saxophone. The mic inputs can accept up to +32 dBu signals, providing plenty of headroom for sudden level increases.
The combination of Class 1 HDIA preamps, 32-bit/96 kHz ADCs, and our 54-bit FPGA mixing engine is impressive but we didn't stop there: We conducted extensive internal and external evaluations to tune TASCAM Sonicview mixers for optimal performance. The result is best-in-class sound that will never disappoint.
TASCAM Sonicview's integrated 32-in/32-out USB audio interface makes it a first-rate front end for recording and broadcast studios, as well as for capturing live events. Record your choice of channel direct outs, flex buses, and the L/R main bus to your favorite DAW at up to 96 kHz with the same 32-bit precision used throughout the TASCAM Sonicview.
You can simultaneously capture the main mix directly to the onboard stereo SD/USB recorder — handy when the band wants to listen to their performance at the hotel or on the bus. A top-panel port also lets you record in stereo to a USB flash drive.
Dante® audio-over-IP networks integrate thousands of concert touring systems, as well as installed systems in recording studios, radio stations, corporate boardrooms, houses of worship, and much more. TASCAM Sonicview consoles can serve as the audio center of these systems, thanks to a built-in 64-in/64-out Dante interface that supports Dante Domain Manager and have AES67 and SMPTE ST 2110 interoperability. Two Dante ports enable redundant streams.
Whether onstage, backstage, in a control room, or at the rear of a concert hall, you're always in full control of your TASCAM Sonicview 16 mixer. Just connect a Wi-Fi router to the TASCAM Sonicview's Ethernet port and use free TASCAM Sonicview Control software for macOS, Windows, and iPadOS to manage your TASCAM Sonicview 16 from virtually anywhere in the venue. Edit settings offline in advance so you're ready to go when a session or show begins, then make adjustments from the console or from the software.
TASCAM Sonicview offers intuitive, analog-like operation, while providing a variety of convenient digital functions that can be customized as needed. Eighteen user-defined function keys can be assigned to recording with the internal recorder, playback, and more. Several keys are conveniently preassigned to functions such as Sends On Fader and Snapshot Recall but you can reassign them as desired. A footswitch (not included) can be used to tap in delay-time settings.
When you're mixing a show, broadcast, or crucial recording session, you can't afford to hit the wrong button or grab the wrong control. TASCAM Sonicview's mixing surface makes it easy to see at a glance what you're controlling, even in a dark concert hall. Each channel strip includes a channel-name LCD with a full-color LED. The User keys feature full-color LEDs, so you can group each input source and function by color and view them easily. The Solo and Channel Select keys have distinctive shapes, and the Mute key is guarded with a cap. With these features and the customizable touch panels, you always know where you are and what you're controlling.
Two monitor buses are now available with V1.5.0, Monitor 1 and Monitor 2. Each monitor section comes with 6 switchable monitor source presets with essential functions such as MUTE/DIMMER. In addition, a location setting has been added to automatically mute the monitor speakers when in the same enclosed space as a live microphone.
Input sources can be freely assigned in the talkback section. Also, outputs can now be directly assigned into each bus or monitor, or to output routers. All of these settings and OSC on/off settings can be assigned to, and controlled by USER keys for quick control a variety of broadcast system and monitoring environments.
Specification |
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Package | 1 Pack |
Mixer Specifications | |
Processing Capability | |
Input | 52 [Monaural: 40, Stereo: 2 (Stereo),Fx Return: 4 (Stereo)] |
Bus | 32 [AUX/GROUP Switchable MIX bus: 22, MAIN L/R bus: 1 (Stereo), Fx Send bus: 4 (Stereo)] |
Built in Fx | 4 |
Input Ports | |
96 kHz | Max 152 ports |
48 kHz | Max 248 ports |
MIC/LINE | 16 |
Stereo (RCA) | 4 (2xStereo) |
Dante | 32 (96 kHz), 64 (48 kHz) |
SLOT | 32x2 (96 kHz), 64x2 (48 kHz) |
USB Audio | 32 |
Built in Player | 2 (1xStereo) |
OSC | 1 |
TALKBACK | 1 |
Output Ports | |
96 kHz | Max 148 ports |
48 kHz | Max 244 ports |
LINE | 16 |
Dante | 32 (96 kHz), 64 (48 kHz) |
SLOT | 32x2 (96 kHz), 64x2 (48 kHz) |
USB Audio | 32 |
MONITOR OUT (Analog) | 2 (1xStereo) |
Built in Recorder | 2 (1xStereo) |
I/O Ports | |
Analog Insert I/O | 2 I/O (MIC/LINE Input 7/8) |
Digital Signal Processing | |
Mixer Engine | 96 kHz/54 bit floating point |
ADC | 96 kHz, 32 bit |
DAC | 96 kHz, 24 bit |
Digital I/O sampling rate | 96 kHz, 48 kHz |
Analog Audio Inputs/Outputs | |
MIC/LINE inputs (1-16 channels) | |
Connector | XLR-3-31 equivalent (1:GND,2:HOT,3:COLD) |
Max input level | +12dBu (PAD=OFF, TRIM MIN), +32dBu (PAD=ON, TRIM MIN) |
Min input level | -62dBu (PAD=OFF, TRIM MAX), -42dBu (PAD=ON, TRIM MAX) |
Input impedance | 5.0kΩ or more |
Phantom power | +48V available |
LINE inputs (9-16 channels) | |
Connector | Connector: Φ6.3mm(1/4")TRS phone jack, Balanced (TIP: HOT, RING: COLD, SLEEVE: GND) |
Max input level | +12dBu (PAD=OFF, TRIM MIN), +32dBu (PAD=ON, TRIM MIN) |
Min input level | -62dBu (PAD=OFF, TRIM MAX), -42dBu (PAD=ON, TRIM MAX) |
Input impedance | 5.0kΩ or more |
INSERT (7-8 channels) | |
Connector | Φ6.3mm(1/4")TRS phone jack (TIP: SEND, RING: RETURN, SLEEVE: GND) |
RETURN (RING) | |
Max input level | +18dBu |
Nominal Input level | -2dBu |
Input impedance | 5.0kΩ or more |
SEND (TIP) | |
Max input level | +18dBu |
Nominal Input level | -2dBu |
Input impedance | 100kΩ or less |
TALKBACK inputs | |
Connector | XLR-3-31 equivalent (1: GND,2: HOT,3: COLD) |
Max input level | +10dBu |
Min input level | -65dBu |
Gain range | 0 - 55dB |
Input impedance | 5.0kΩ or more |
Phantom power | +48V available |
Stereo (RCA) inputs (1-2) | |
Connector | RCA pin jack |
Max input level | +6dBV (1.995Vrms) |
Nominal Input level | -10dBV (0.316Vrms) |
Head room | 16dB |
Input impedance | 10kΩ or more |
LINE Outputs (1-16 channels) | |
Connector | XLR-3-32 equivalent (1: GND, 2: HOT, 3: COLD) |
Nominal output level | +6dBu (D.ref: -9dBFS) +4dBu (D.ref: -14dBFS, -16dBFS) +4dBu or 0dBu (D.ref: -18dBFS, -20dBFS) |
Max output level | +15dBu (D.ref.: -9dBFS, A.ref.: +6dBu) +18dBu (D.ref.: -14dBFS, A.ref.: +4dBu) +20dBu (D.ref.: -16dBFS, A.ref.: +4dBu) +18dBu (D.ref.: -18dBFS, A.ref.: 0dBu) +20dBu (D.ref.: -20dBFS, A.ref.: 0dBu) +22dBu (D.ref.: -18dBFS, A.ref.: +4dBu) +24dBu (D.ref.: -20dBFS, A.ref.: +4dBu) |
Output impedance | 100Ω or less |
MONITOR Outputs (L,R) | |
Connector | XLR-3-32 equivalent (1: GND, 2: HOT, 3: COLD) |
Max output level | +24dBu |
Nominal output level | +4dBu |
Output impedance | 100Ω or less |
Headphone Output | |
Connector | Φ6.3mm(1/4") stereo phone jack and 3.5mm stereo mini phone jack |
Max output power | 100mW + 100mW (32Ω load, when connected to only one side) |
Digital Audio Inputs/Outputs | |
USB Audio | |
Connector | Type-B |
Input | 32ch *USB to Sonicview |
Output | 32ch *Sonicview to USB |
Sampling rate | 48 kHz, 96 kHz |
Bit depth | 32 bit |
Dante (Primary/Secondary) | |
Connector | etherCON Cat5e compatible |
Number of channels | 64 channels (48 kHz), 32 channels (96 kHz) |
Ethernet | 1000BASE-T (IEEE802.3ab) |
Cable | CAT5e STP |
Supports Redundant mode and Switched mode | |
Control Inputs/Outputs | |
GPIO | DSUB25pin female, inch type |
Input circuit | pull up (5V) |
Output circuit | Open corrector |
Output impedance | 10Ω |
Voltage Resistance | 20V |
Max Current | 35mA |
Max supply current (+5V) | 50mA |
FOOT SWITCH | |
Connector | Φ6.3mm(1/4")TS phone jack (TIP:SIG, SLEEVE: GND) |
ETHERNET (for control) | |
Connector | RJ-45 |
Ethernet | 100BASE-TX, 1000BASE-T |
Protocol | TCP/IP |
Other Inputs/Outputs | |
WORD IN | |
Connector | BNC (Unbalanced) |
Input level | 0.5Vpp - 5Vpp |
Impedance | 75Ω +/-10% |
Input frequency | 48 kHz, 96 kHz |
Allowable frequency deviation | +/-100ppm |
WORD THRU/OUT | |
Connector | BNC (Unbalanced) |
Output level | equivalent to 5V TTL |
Output frequency | 48kHz, 96kHz |
Impedance | 75Ω +/-10% |
USB (Top panel) | For Keyboard, and Mass Storage |
Connector | Type-C |
Standard | USB2.0 HIGH SPEED (480Mbps) |
Bus power | 5V-0.5A |
Class | HID, Mass storage |
USB (Rear panel) | For Audio Interface (Dedicated driver required) |
Connector | Type-B |
Standard | USB2.0 HIGH SPEED (480Mbps) |
Lamp | |
Connector | XLR 4pin female (1:N.A., 2:N.A., 3:GND, 4:+12V) |
Supply voltage | 0V-12V (Adjustable brightness) |
Max power | 5W |
Recorder/Player | |
Media | |
SD Card | SDHC (8GB-32GB Class10 or more), SDXC (64GB-128GB Class10 or more) |
USB memory | Size: 8GB-128GB (Play Only) |
Supported File System: | FAT32 (SDHC, USB memory) exFAT (SDXC, USB memory) |
Stereo recording/Playback Formats | |
WAV/BWF | |
Recording | 48 kHz/96 kHz, 24 bit, 2ch |
Playback | 48 kHz/96 kHz, 16/24bit、2ch |
MP3 | |
Playback | 44.1 kHz/48 kHz, 32kbps~320kbps |
AAC | |
Playback | 44.1 kHz/48 kHz, 64kbps~320kbps |
General | |
Main display | 7 inch, Colored touch panel display x2 |
Resolution | 800x480 |
Channel display | Monochrome x2 |
Resolution | 384x68 |
Fader | 100mm stroke, Motor driven |
Overall dimensions | 472.0(W) x 228.1(H) x 554.4(D) mm 18.59 (W) x 8.99(H) x 21.83 (D) inch |
Weight | 13kg / 28.67lb |
AC IN | AC100V-240V 50/60Hz |
Power consumption | 65W |
Operating Temperatures | 0 - 40 ℃ |
Computer system requirements | |
USB Audio Interface | |
Windows | |
Supported Operating System | Windows 11 64 bit Windows 10 64 bit |
Computer hardware requirements | Windows computer with a USB2.0(or higher) port. |
Mac | |
Supported Operating System | macOS Monterey (12) macOS Big Sur (11) macOS Catalina (10.15) |
Computer hardware requirements | Mac with a USB2.0(or higher) port. |
Control Software | |
Windows | Windows 11 64 bit Windows 10 64 bit |
Mac | macOS Monterey (12) macOS Big Sur (11) macOS Catalina (10.15) |
iPadOS | iPadOS 15 iPadOS 14 |
Included Items | |
TASCAM Sonicview 16 x1 | |
Power code (JAPAN USA/EUROPE/OCEANIA) x3 | |
Owner's manual with warranty x1 | |
TASCAM ID registration guide x1 | |
Options | |
AK-DCSV16: Dust cover | |
AK-TB15: Tablet shelf | |
AK-RKSV16: Rack mount kit | |
IF-AE16: AES interface card, I/O 16ch | |
IF-DA64: Dante interface card, I/O 64ch, Redundant Supported | |
IF-MA64/EX: MADI interface card, I/O 64ch Coaxial/Optical | |
IF-MA64/BN: MADI interface card, I/O 64ch Coaxial | |
IF-AN16OUT: Analog outputs interface card, 16ch | |
IF-MTR32 (Scheduled to be released in 2023): MTR card, 32 tracks, punch-in | |
SB-16D (Scheduled to be released in 2023): Stage box, Dante, 16ch I/O |